Aladin – First Look
August 13, 2009 1 Comment
By: Shams Irfan
Indian cinema is finally moving in a direction that was desired for long by most of the critics – progressive and non-stereotypical.
Usually, Indian cinema heavily relies on western content [scripts and ideas] for inspiration and creative modifications in techniques of filmmaking, but of late, though only on a small scale, filmmakers are trying to break new pathways.
One such ‘genuine’ effort is put in by director Sujoy Gosh for his upcoming multi-starrer [multi-crore] film titled Aladdin, once televisions most adored character [Aladdin] and his friend-in-need the [Genie] are brought back to life on a bigger canvas.
But, is it really the path-breaker cinema which we were waiting for decades or just another easy-getaway, is something that is yet to be debated or questioned?
There are a few questions which need to be answered before we start accepting any new form of cinematic adaptations!!!
And the opener would always be – Is Arab folktale hero [Aladdin] relevant in Indian cinematic context at all? Apart form the cartoon series, which surely we all loved because of its fun-element and romance, does Aladin and his magic lamp fit in not-so-broad spectrum of cinema?
What really made director Ghosh go eastward for inspiration while everybody else heads westwards? Has western cinema lost it sheen with Indian audiences or is it the fear of fail-ing which makes India’s young crop of directors take the beaten pathways over and again?
We know, all these questions will never be answered by any of the directors, young or old; they never acknowledge the lack of knowledge or raise their hands whenever we try to take a roll-call for copycats and over-inspired directors…
Starring, Amitabh Bachchan [Genius aka the genie], Ritesh Deshmukh [Aladdin], Sunjay Dutt [Ring Master] and Jacqueline Fernandes [Jasmine] in the lead, Aladin is said to have all Indian look and feel, which director Sujoy feels will help him to connect with audiences easily.
Long before Sujoy thought of decorating the Indian silver screen with sand dunes and beautiful castles, yesteryears filmmaker Homi Wadia introduced Aladin & The Wonderful Lamp (1952), to Indian audiences.
However Homi kept his creative cravings aside and retained the original touch and feel of the Arabian folk character Aladdin.
But with today’s filmmakers’ eagerness to mix things in their own style, it would be interesting to watch Ghosh’s modern day interpretations of our childhood fantasies i.e. Aladdin.
Aladin is set for October 16, 2009 release.